By Blake Jackson
New York sculptor Wilfredo Morel, originally from the Dominican Republic, is using his art to shed light on the challenges faced by farmworkers. Morel's journey in sculpting began as a teenager when he started crafting pieces from leather scraps. His passion for metal sculpting and welding developed in college, where he accidentally took a class and fell in love with the medium.
Since his move to New York City in 1976, Morel has been creating art that celebrates not only his Dominican heritage but also the diversity of cultures. As someone of both Haitian and Dominican descent, he is passionate about raising awareness of farming's role in people's lives and the hardships encountered by farmers, particularly in the Hudson Valley, where many farmworkers come from Latin American countries.
Morel operates his studio at Greig Farm in Red Hook, where he uses scrap materials like old tractors and tools to fashion his sculptures. He met the farm's owner, Norman Greig, almost two decades ago during his travels in Mexico. Greig, impressed by Morel's work, offered him space and materials at his farm.
For Morel, art is a tool for social justice, making his mission more effective when closely intertwined with the community that needs a voice. His sculptures are not only displayed at Greig Farm but can also be found throughout Hudson Valley. They narrate the journey of Hispanic farmers and people from all cultures, creating a space for dialogue on the importance of supporting and sustaining farms.
Morel's art beautifully captures the essence of farm life, serving as a reminder of the hardworking individuals behind the food on our tables. His work highlights the significance of recognizing and appreciating the farmworkers who contribute to the nourishment of our communities.
Photo Credit: istock-dorin-s
Categories: New York, General